Abstract
Using the 2000-2010 South Korean historical medical dramas Heo Jun (The Way of Medicine), Dae Jang Geum (Jewel in the Palace), and Jejoongwon (The Hospital) as case studies, this article examines televisual reimaginations of Korean medical modernity as (re)interpretative popular culture texts. Particularly in the areas of the anatomical sciences and surgery, modern medicine’s emancipatory potentials in these productions are set semi-fictitiously in pre-modern Joseon historical contexts. Dramaturgically challenging entrenched social hierarchies and ossified cultural taboos of Institutionalized Confucianism, these dramas’ progressive physician-protagonists emphasize the universality and impartiality of medical knowledge in what is herein termed as Generative Confucianism.
| Original language | English |
|---|---|
| Pages (from-to) | 193-205 |
| Number of pages | 13 |
| Journal | Journal of Medical Humanities |
| Volume | 41 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 1 Jun 2020 |
| Externally published | Yes |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 3 Good Health and Well-being
Keywords
- Generative-institutionalized Confucianism
- Medical dramas
Fingerprint
Dive into the research topics of 'Suturing the Nation in South Korean Historical Television Medical Dramas'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver