Abstract
This paper examines Seascape Serenity, a realtime immer-
sive ambisonic electronic soundscape with generative vi-
sualizations that merges underwater field recordings from
bioacoustic research with holographic displays. By trans-
forming scientific data into participatory artistic experi-
ences, the project offers a multifaceted exploration of aquatic
ecosystems, blending ecological inquiry with creative ex-
pression. The installation simulates echolocation mecha-
nisms and marine soundscapes, highlighting the intricate
interactions between human activities and oceanic envi-
ronments.
sive ambisonic electronic soundscape with generative vi-
sualizations that merges underwater field recordings from
bioacoustic research with holographic displays. By trans-
forming scientific data into participatory artistic experi-
ences, the project offers a multifaceted exploration of aquatic
ecosystems, blending ecological inquiry with creative ex-
pression. The installation simulates echolocation mecha-
nisms and marine soundscapes, highlighting the intricate
interactions between human activities and oceanic envi-
ronments.
| Original language | English |
|---|---|
| Pages | 575-581 |
| Number of pages | 6 |
| Publication status | Published - 9 Jun 2025 |
| Event | ICMC 2025, 50th International computer music conference - Boston, Boston, United States Duration: 8 Jun 2024 → 14 Jun 2025 https://icmc2025.sites.northeastern.edu/installations/ |
Conference
| Conference | ICMC 2025, 50th International computer music conference |
|---|---|
| Country/Territory | United States |
| City | Boston |
| Period | 8/06/24 → 14/06/25 |
| Internet address |
